Research: Books
Smith, Hazel and
Dean, Roger T. 1997. Improvisation,
Hypermedia and the Arts Since 1945, London and New York, Harwood Academic. (334 pages).
Smith, Hazel.
2000. Hyperscapes in the Poetry of Frank O'Hara: difference, homosexuality,
topography, Liverpool,
Liverpool University Press. (230 pages).
Smith, Hazel. 2005.
The Writing Experiment: strategies for innovative creative writing, Allen and Unwin, Sydney
(288 pages).
The
Writing Experiment was shortlisted for the peer-reviewed Australian Publishing
Association (APA) Awards for Excellence in Educational Publishing in the
tertiary single-title category. It was also voted one of the books of the year
by the editor of Stride magazine UK. It was heralded as a ÔfirstÕ by several
reviews, including the Australian Book Review.
Smith, Hazel.1989.
ÒOutstanding Poetry: Writers in Recital. Sydney Art Perspecta 89Ó, The Age
Monthly Review, Vol. 9,
no. 6, pp. 6-8.
Dean, Roger T. and
Hazel Smith. 1991. ÒDigesting the Message: A View of Texts for Interpretation,
Reconstruction and ImprovisationÓ, Sounds Australian, No. 29, pp. 38-46.
Smith, Hazel.
1992. ÒThe Verbal ImprovisorÓ, Sounds Australian: Journal of Australian Music, No. 32, pp. 36-38 and 44.
Smith, Hazel.
1992. ÒA Context for ExperimentationÓ, Over Here, Spring, pp. 139-141.
Smith, Hazel and
Roger T. Dean. 1993. ÒTalking and Thinking: Hazel Smith and Roger Dean in
Conversation with David AntinÓ, Postmodern Culture, an electronic journal of
interdisciplinary criticism,
vol. 3, No. 3. (This can be accessed as ANTIN.593).
Smith, Hazel.
1993. ÒPerformance, Improvisation and Technology: American Contemporary
Avant-Garde PoetryÓ, Australasian Journal of American Studies, vol. 12, No. 2, pp.15-31.
Smith, Hazel.
1994. ÒFormal Experimentation in Twentieth Century Poetry: Theory, Context and
ProcessÓ, Australasian Journal of American Studies, Vol. 13, No. 2, pp. 71-83.
Smith, Hazel.
1995. ÒFeminist Performance Linguistics: Language, Sound, Performance and
Technology at WorkÓ, Sounds Australian: Journal of Australian Music, No. 45, pp. 28-31.
Smith, Hazel.
1995. ÒIn Memory of Metaphor: Deconstructive Modes in the Poetry of Frank
O'Hara", Journal of the Australasian Universities Language and
Literature Association,
No. 84, pp. 65-83.
Smith, Hazel.
1995. ÒStatementÓ, Sounds Australian: Journal of Australian Music, No. 46, p. 26.
Smith, Hazel.
1996. ÒA Convention of New PoetriesÓ, Real Time, No. 15, p. 9.
Smith, Hazel.
1996. ÒBeyond Poetry: The Sonic Investigation of the WordÓ, Island, no. 67, pp. 131-139.
Smith, Hazel.
1999. "The Site which is No-Place: Hypermedia, Travel, MigrationÓ Heat
13, pp. 189-211.
Smith,
Hazel. 2001. ÒPoetry off the Page
in Performance and New MediaÓ Meanjin, Poetics, Vol.60,
No.2, pp.169-171.
Smith, Hazel.
2001. ÒWomenÕs Experimental Writing and GlobalisationÓ HOW2 Forum http://www.departments.bucknell.edu/stadler_center/how2/current/forum/more-forum.html#smith.
Smith, Hazel and
Roger T. Dean. 2002. ÒThe Egg The Cart The Horse The Chicken: cyberwriting,
sound, intermediaÓ Interactive Multimedia Electronic Journal of Computer-Enhanced
Learning. Vol. 4. No. 1,
http://imej.wfu.edu.
Smith, Hazel.
2002. ÒA Labyrinth of Endless Steps: Fiction making, Interactive Narrativity
and the Poetics of Space in Paul AusterÕs City of GlassÓ, Australian Journal
of American Studies, Vol.
21, No. 1, pp.33-51. Now also on the web at
http://www.anzasa.arts.usyd.edu.au/a.j.a.s/docs/contents_2002.htm.
Brewster, Anne and
Hazel Smith. 2002. ÒProseThetic MemoriesÓ, Salt: An International Journal of
Poetry and Poetics: Memory Writing, Vol. 16, pp. 100-111.
Smith, Hazel and
Roger T. Dean. 2003. ÒVoicescapes
and Sonic Structures in the Creation of Sound TechnodramaÓ, Performance
Research, 8 (1) pp.
112-123.
Brewster,
Anne and Hazel Smith. 2003. ÒAFFECTions: friendship, community, bodiesÓ, Text
Vol. 7, no. 2.
http://www.gu.edu.au/school/art/text/oct03/brewstersmith.htm.
Smith, Hazel. 2004. ÒCursors and Crystal Balls: digital technologies and the futures of writingÓ Text, Vol. 8, No. 2. http://www.gu.edu.au/school/art/text/oct04/smith.htm.
Roger
T. Dean and Hazel Smith. 2004. "Sonic Narratives: intermedia
transformations in the work of austraLYSIS", Australasian Music
Research, vol.
8, 2004, pp. 91-106.
.
Dean, Roger and Hazel Smith. 2005. ÒThe
evolving technology of performance in the work of austraLYSIS, and the politics
of co-operativityÓ, Sounds Australian. No. 66.
http://www.amcoz.com.au/res-arts.htm.
Smith, Hazel. 2005. ÒThe Erotics of Gossip: Fictocriticism, Performativity, TechnologyÓ, Continuum: Journal of Media and Cultural Studies, vol. 19, no.3, pp. 403-412.
Dean, Roger, Mitchell Whitelaw, Hazel Smith and David Worrall. ÒThe Mirage of Real-Time Algorithmic Synaesthesia: Some Compositional Mechanisms and Research Agendas in Computer Music and SonificationÓ accepted by Contemporary Music Review for publication in 2006.
Smith, Hazel. ÒEmerging from the Experiment: a systematic methodology for creative writing teachingÓ accepted for publication (May 2006) in the journal New Writing: the international journal for the theory and practice of creative writing.
Smith, Hazel and Dean Roger, ÒPosthuman collaboration: multimedia, improvisation and computer mediationÓ, M/C Journal, May 2006, in press.
Dean, Roger, Hazel
Smith and Freya Bailes, ÒIntangibles in MusicÓ, submitted.
Research:
Chapters in books
Smith, Hazel.
1989. ÒImage, Text and
Performance; inter-artistic relationships in contemporary poetryÓ in D. Murray
(ed.), Literary Theory and Poetry: Extending the Canon, London, Batsford, pp. 149-166.
Dean, Roger and
Smith, Hazel. 1992. ÒMusic-Sound-Text-Image and the Futures of ImprovisationÓ
in New Structures in Jazz and Improvised Music from 1960,
London and Philadelphia, Open University Press, pp. 177-190.
Smith, Hazel.1994.
ÒThe Transformation of the Word: Text and Performance in the Work of Ania
Walwicz and Amanda StewartÓ, in P.
Fuery (ed.), Discourse, Representation and Desire: Contemporary Australian Culture and Critical Theory, Melbourne, Longman Cheshire, pp. 221-238.
Smith, Hazel.
1999. ÒSonic Writing and Sonic Cross Dressing: Gender, Language, Voice,
Technology", Musics and Feminisms, Sally Macarthur and Cate Poynton, (eds.), University
of Western Sydney, pp. 129-134.
Smith, Hazel.
2003. ÒFrank OÕHaraÓ in The Encyclopedia of Lesbian, Gay, Bisexual and
Transgender History in America, Mark Stein ed., New York, Charles Scribners Sons, pp.352-354.
Freya Bailes, Hazel Smith and Roger Dean. ÒHearing and Imaging Place in Sound: A Program to interrelate the Cognitive, Cultural and CreativeÓ accepted for a book on hearing place (editor Ros Bandt) and to be published by Cambridge Scholars Press,
Smith, Hazel
ÒsoundAFFECTs:
translation, writing, new media, affectÓ in press for publication in Sound
in Translation, edited by
Amy Chan and Alistair Noble, ANU E-press.
Smith, Hazel, ÒThe Posthuman Writer: emergence, algorithm, affect, multimodalityÓ commissioned and submitted for Towards a Theory of Writing, edited by Tess Brady and Nigel Krauth.
In 2004 I wrote a back blurb for a book of poems by American poet Susan Schultz published by Salt and also a back blurb for Australian poet Margaret Metz.
Research: Published conference or symposium papers
Smith, Hazel.
1996.ÒCreativity As Method: A New Approach To The Teaching Of Creative WritingÓ
UNSW Education Ô95,
conference proceedings.
Smith, Hazel 2000.
ÒFrom Cityscape to Cyberspace: Writing The City in HypermediaÓ in Australian
Writing and the City, Fran
de Groen and Ken Stewart (eds.) Association for the Study of Australian
Literature, Refereed Proceedings of the 1999 Conference, 2000.
Research: Selected
conference presentations, workshops or seminars.
1986: ÒNew York Poetry and PaintingÓ, New Castlefield Gallery, Manchester.
1987: ÒWhy I Am
Not A Painter: The Poetry of Frank O'Hara
and New York PaintingÓ,
Tate Gallery as part of the Mark Rothko retrospective.
1986: ÒPainting
and Poetry in the Work of Frank O'HaraÓ, Department of American Studies,
Nottingham University.
1988: ÒSelf, Text
and Difference: The Collaborations of Frank O'HaraÓ, Kings College, University of London.
1988: ÒText-Sound and Texts for MusicÓ, paper
at the Annual Conference of the British Association for American Studies. Reviewed
in Newsletter No. 58 July, 1988.
1991: ÒText and Performance in the Work of
Amanda Stewart and Ania WalwiczÓ, paper at the Association for the Study of
Australian Literature Conference, Charles Sturt University 1991.
1992: ÒPerformance, Improvisation and
Technology: American Avant-Garde PoetryÓ, paper at the Conference of the
Australian and New Zealand Association for American Studies, Flinders
University 1992.
1992:
ÒPerformance, Improvisation and Technology:American Avant-Garde PoetryÓ University
of NSW Staff Seminar.
1992: Day workshop
for the Queensland WritersÕ Centre.
1993: Sound Poetry
Workshop, The Third Regional Poetry Festival, Wollongong.
January 1996: ÒThe
Interchange Between Musical and Literary Ideas in Poetry and Performance Texts.
Paper for the Words and Music
Conference held by the Association for the Study of Australian Literature and
the Library Society, State Library, Sydney.
March 1996:
ÒBeyond Poetry: The Sonic Investigation of the WordÓ. Paper for ÒRadical
ArtificersÓ, a panel on experimental poetry chaired by Philip Mead at the
Salamanca WritersÕ Festival.
September
1996: ÒNew Sonic Poetries: the
linguistic appropriation of musical techniques and technologiesÓ Assembling
Alternatives: International Poetry Conference 1996, New Hampshire University, USA.
October 17th 1996:
Seminar on New Sonic Poetries in the Department of English at Brunel
University, UK.
February 1997: ÒThe City and Beyond: Space,
Place and ÔHypergraceÕ in the Poetry of Frank O'HaraÓ. Aulla XXIX Conference,
Remaking the Tradition: Language and Literature in the Age of Multimedia.
University of Sydney.
April 1997: "The City and Beyond:
Space, Place and ÔHypergraceÕ in the Poetry of Frank O'Hara". Staff
seminar, School of English, University of New South Wales.
May 1997: ÒSecret PlacesÓ. Address given at the Waverley Art Gallery,
Melbourne.
September 1998: ÒNew Spaces in Hypertext
WritingÓ. National Poetry Festival, Sydney.
September 1998: ÒAll You Need is a Word: Creativity as MethodÓ. The
Writes of Spring, Writers' Spring Festival, Sydney.
December 1998: ÒThe Medium Moves the Message: intermedia, travel and
Ôthe unspeakableÕ in the recent work of austraLYSISÓ, SoundVision Symposium,
The Performance Space, Sydney.
July 1999: ÒFrom Cityscape to Cyberspace: Writing the City in MultimediaÓ paper for the Australian Society for the Study of Australian Literature conference, Writing the City, WritersÕ Centre, Sydney.
July 2000:
ÒHypermedia as ÔIntertwinglingÕ: Generic Cross-Dressing, Intermedia, Maps and
MirrorsÓ, Writing and the Internet, Trace International Conference, Nottingham Trent University,
Nottingham, UK.
July 2002: ÒA Labyrinth of
Endless Steps: Interactive
Narrativity and the Poetics of Space in Paul AusterÕs ÔCity of GlassÕÓ. American
Studies (ANZASA) Conference,
Deakin Waterfront Campus, Geelong.
July 2002: ÒThe Egg, The Cart, The Horse,
The Chicken: Cyberwriting, Kineticism, IntermediaÓ, Incubation 2.
The 2nd trAce International Conference on Writing and the Internet,
15-17th July 2002. Nottingham Trent University.
October 2002: ÒPoetry in
CyberspaceÓ. Talk on writing and new technologies at the ACT Spring Poetry
Festival in October.
November
2002: ÒA Labyrinth of Endless
Steps: Interactive Narrativity and
the Poetics of Space in Paul AusterÕs ÔCity of GlassÕÓ. Staff seminar, School
of Creative Communication, University of Canberra.
November 2003: ÒCursors and Crystal
Balls: digital technologies and the futures of writingÓ. Plenary address at Negotiations: Writing,
the Academy, Publishing. Conference of the Association of Australian Writing
Programs, University of New South Wales.
July 2004: ÒThe
Erotics of Gossip: fictocriticism, voicescapes, technologyÓ. Contemporary
Writing Environments Conference, Brunel University, London, UK.
December
2004: ÒThe Erotics of Gossip:
fictocriticism, voicescapes, technologyÓ. Seminar University of Canberra.
June 2005:
ÒSoundAFFECTs: writing, new media, politics, affectÓ. Seminar, School of
Creative Communication, for the
Sonic Communications Research Group.
July 2005:
ÒSoundAFFECTs: writing, new media, politics, affectÓ. CongressCath conference
at National Museum of Photography, Film and Television, Bradford, UK.
July 2005:
ÒSoundAFFECTs: writing, new media, politics, affectÓ. UK Network for Modern
Fiction Scholars, University of Westminster, London, UK.
September 2005:
ÒSoundAFFECTs: translation, writing, new media, affectÓ, Sound in Translation,
School of Music, ANU.
October 2005: ÒThe
Posthuman Writer: multimedia, affect, ethicsÓ, Australian National Museum in
conjunction with ANU, New Media Public Lecture series.
October 2005:
ArtistÕs talk, School of Creative Communication, University of Canberra.
November 2005:
ÒTheorising Creative Production: algorithms, emergence, multimodalityÓ, Culture
Fix, Cultural Studies Association of Australasia, University of Technology,
Sydney.
December 2005:
ÒSoundAFFECTs: writing, new media, performance, affectÓ. Eperformances and Plugins, Conference
at UNSW.
Creative Writing: Books, scores,
catalogues
Smith, Hazel. 1986. Threely, Peterborough, Spectacular Diseases
Imprint.
Smith, Hazel, Karl, Sieglinde and Jones,
Graham. 1990.
TranceFIGUREd Spirit, Sydney/London, Soma Publishing.
Smith, Hazel. 1991. Abstractly
Represented: Poems and
Performance Texts 1982-1990, Sydney, Butterfly Books.
Smith, Hazel and
Dean, Roger. 1992. Poet Without Language, Sydney, Australian Music Centre, 1992. (Score).
Hamilton, Kate, Karl, Sieglinde, Nagorcka,
Ron, Smith, Hazel. 1996. Secret Places, Launceston, Queen Victoria Museum and Art
Gallery. (Publication accompanying
installation/collaboration).
Smith, Hazel.
2000. Keys Round Her Tongue:
short prose, poetry and performance texts, Soma Publications, Sydney, 2000.
Smith, Hazel. The
Erotics of Geography, a
collection of poetry, prose and performance pieces submitted.
Creative Writing: Publication of poems and
performance texts in journals and magazines (including on-line journals).
Smith, Hazel.
1982. ÒFishÓ, PTO, p.1.
Smith, Hazel.
1982. ÒCyclingÓ, Tops,
p.14.
Smith, Hazel.
1983. ÒInside OutÓ, Stride,
May, p.3.
Smith, Hazel.
1983. ÒThe Arranged MarriageÓ, Strange Mathematics, Issue Four, p.19.
Smith, Hazel.
1983. ÒTorchbearerÓ, Cyphers 19, Summer, p.31.
Smith, Hazel.
1983. ÒTantrumÓ, The Third Eye, August/September, p.15.
Smith, Hazel.
1984. ÒMemoryÓ, The Third Eye, April, p.31.
Smith, Hazel.
1984. ÒPerson to PersonÓ, Graffiti, p.8.
Smith, Hazel.
1984. ÒDeath by StoningÓ, Sepia, p.32.
Smith, Hazel. 1984.
ÒMemoryÓ, Pennine Platform,
April.
Smith, Hazel.
1985. ÒThe WaitÓ, Cyphers 24, Winter, p.41.
Smith, Hazel.
1986. ÒBillÕs PictureÓ, ÒMore Menstrual Than the MoonÓ and ÒThe SearchÓ Slow
Dancer, Summer, pp.6-7.
Smith, Hazel.
1986. ÒThe LaunchingÓ, Sol,
Winter, p.17.
Smith, Hazel.
1986. ÒPlus FiveÓ, Reality Studios, pp. 31-35.
Smith, Hazel.
1986. ÒOdd But EvenÓ, Figs,
December, pp.17-22.
Smith, Hazel.
1986. ÒOne Three FiveÓ, in First Offense , pp.26-31.
Smith, Hazel.
1987. ÒMarks KarlÓ, Tasmanian Marks and Relics, Launceston, Tasmanian State Institute of Technology.
No page numbers.
Smith, Hazel.
1988. ÒAbstractly RepresentedÓ, Pages, Summer, pp. 3-8.
Smith, Hazel.
ÒTexts Weave World TombÓ, Tasmanian Poetry Festival Programme, 1989 pp.10-11.
Smith, Hazel.
1989. ÒOdd But EvenÓ, The Age Monthly Review, Vol. 9, no.9, p.6.
Smith, Hazel. 1993. ÒPoet Without
LanguageÓ: ABC submission for the Italia Prize.
Smith, Hazel.
1994. A special edition of Pages
(UK) was devoted to
my work in 1994 including publication of ÒNuraghic EchoesÓ.
Smith, Hazel.
1995. ÒMirrorÓ, ÒThe Next RoomÓ, ÒThe WomanÓ and ÒVariationÓ in Southerly, Vol. 55, No. 4, pp. 132-135.
Smith, Hazel.
1996. ÒThe Riting of the RundaÓ, W/Edge, No. 2,
pp. 28-32.
Smith, Hazel. 1996. ÒThe CriticÓ and ÒTexturesÓ, Southern
Review, Vol. 22,
No.3, pp. 295-296.
Smith, Hazel.
1996. ÒMoving The LandscapesÓ and ÒWord Earth WorldÓ W/Edge, No.3, pp. 31 and 39.
Smith, Hazel.
1997. ÒWalking the Faultlines, Tinfish, No.4,
pp. 47-50.
Smith, Hazel. April 1997. ÒThe Charge of PoetryÓ, Brisbane
Review, p. 13.
Smith
Hazel. 1998. ÒAnxietyÓ, Heat 10, page 61.
Smith,
Hazel. 1999. ÒStoryÓ from Nuraghic Echoes, Southerly, Vol.59, No.2,
pp.121-124.
Smith,
Hazel. 1999. ÒReturning the AnglesÓ, Jacket 7, http://www.jacket.zip.com.au. Text and
audio recording.
Smith,
Hazel. 1999. ÒImagining CitiesÓ, Tinfish, No 8. p. 39.
Smith,
Hazel. 1999. ÒThe Musecal DetectiveÓ, Southern Review, Vol.32, No.3, pp.
302-304.
Smith
Hazel and Sieglinde Karl. 1999. Secret Places (web version) for web journal HOW2 at http://www.departments.bucknell.edu/stadler_center/how2.
Smith, Hazel.
2000. ÒFullers' Walnut CakeÓ, Cordite, No.6 and No, 7, page 11.
Smith, Hazel.
2000. ÒPerguiltspekÓ and ÒPoeticsÓ, Vol.2, No.1, Southern Review, pp. 90-91.
Smith, Hazel.
2000. ÒSpacismÓ Outlet 6: Stars, pp. 8-10.
Smith, Hazel.
2000. ÒAcouslyticÓ, in the sleeve notes for Roger Dean, Acouslytic:
Acousmatic and electroacoustic works, CD, Tall Poppies, TP153, Sydney.
Smith, Hazel.
2001. ÒThe PerformanceÓ, Tinfish, No.10, p.20.
Smith, Hazel
2001. ÒThe City and The BodyÓ Meanjin, Vol. 60. No.1, pp. 170-175.
Smith, Hazel 2001. ÒThe Poet Who TravelsÓ Sugar
Mule at www.sugarmule.com.
Smith, Hazel 2001. ÒThree WomenÓ and ÒThe
MisunderstandingÓ, Slope 11 and 12 at www.slope.org.
Smith, Hazel. 2002. ÒMusical AgendersÓ, Southern
Review, Net Work, The Politics of Work in an Information Age, vol 34, no.3, pp.117-118.
Smith, Hazel.
2002. ÒThe DecisionÓ in Shampoo http://www.shampoopoetry.com/ShampooTwelve/smith.html.
Smith, Hazel.
2002. ÒTen Fridays AgoÓ, Sugar
Mule,
http://www.marclweber.com/sugarmule/frame14.htm.
Smith, Hazel.
2002. ÒActs of OmissionÓ, Sugar Mule, http://www.marclweber.com/sugarmule/frame14.htm.
Smith, Hazel. 2002. ÒPricelessÓ, PORES: An Avant-Gardist Journal of
Poetic Research, issue 2, http://www.bbk.ac.uk/pores/2/index.htm.
Smith, Hazel.
2003. ÒBurnt DawnÓ, ÒThe Poet Who
TravelsÓ, ÒMusical AgendersÓ and
ÒHereditiesÓ in Thylazine http://www.thylazine.org/issue7/hs.html.
Smith, Hazel.
2003.ÒFemale GeographyÓ, Slope 18, http://www.slope.org/archive/issue18/index.php?file=oz_smith.htm&sec=oz.
Hazel
Smith. 2004.Òthe writer, the performer, the program, the madwomanÓ How2, http://www.departments.bucknell.edu/stadler_center/how2/current/multimedia/smith.shtm.
Hazel Smith. 2005. ÒThe Poetics of UncertaintyÓ. Tin
Fish Net, Tinfish Press,
Susan Schultz (ed.) http://www.tinfishpress.com/tinfishnet2/smith.html.
Smith, Hazel, 2006. ÒFirstÓ Tinfish
16/Trout 13, http://www.trout.auckland.ac.nz/journal/13/13_43.html.
Smith, Hazel. 2006. ÒEmergencesÓ,
Tinfish 16/Trout 13,
http://www.trout.auckland.ac.nz/journal/13/13_44.html.
Hazel
Smith, ÒTranslationsÓ ÒThe reader
of my bookÓ and ÒThe idea of
elegyÓ accepted for publication in How2 in 2006.
Creative Writing: Recordings of poetry and
performance work
Smith, Hazel. 1994. Poet Without
Language, CD, Sydney,
Rufus Records, RF005.
Smith, Hazel.
1994. ÒSimultaneityÓ, Windows in Time, Tall Poppies, TP039, Sydney.
Smith, Hazel and
Dean, Roger. 1996. Nuraghic Echoes, CD, Rufus Records, RF 025.
Dean, Roger and
Smith, Hazel. 1997. ÒLowering The SkyÓ, sound recording on CD, ed. Andrew Levy
and Bob Harrison, Crayon:
Festschrift for Jackson Mac Low, New York, Crayon. Also recorded on Acouslytic, Tall Poppies Records, TP153, Sydney.
Smith
Hazel 1997. Secret Places, HOW2, Vol.1.No. 2 at http://www.departments.bucknell.edu/stadler_center/how2.
Audio recording and text.
Smith,
Hazel and Roger Dean. 1999. ÒReturning the AnglesÓ, Jacket 7, http://www.jacket.zip.com.au. Audio
recording and text.
Hazel
Smith and Roger Dean. 2004. Òthe writer, the performer, the program, the
madwoman, How2, http://www.departments.bucknell.edu/stadler_center/how2/current/multimedia/smith.shtm.
Audio recording.
Smith,
Hazel, Roger Dean and Greg White. 2006. The Space of History, PennSound http://www.writing.upenn.edu/singles/index.php.
Creative Writing: Inclusions in anthologies
Smith, Hazel. 1991. ÒThreelyÓ in Floating
Capital: New Poets From London, Potes and Poets, Connecticut, pp. 111-119.
Smith, Hazel. 1994. ÒSimultaneityÓ, Australian
Compositions for Improvisors
(ed. J. Pressing), Melbourne, La Trobe University Press, pp. 100-101.
Smith, Hazel. 1995. ÒDemigodÓ in Sue Rowley
(ed.), Crossing Borders: Contemporary Australian Textile Art, University of Wollongong, p. 26.
Smith, Hazel, 1997. ÒThe Riting of the RundaÓ in Australian
Mosaic: an anthology of
multicultural writing,
Sonia Mycak and Chris Baker (eds), Heinemann,
Melbourne, pp.56-58.
Smith, Hazel, 1997. ÒSlowing the MilesÓ in Andrew Levy and
Bob Harrison (eds.) Crayon: Festschrift for Jackson Mac Low, New York, p. 73.
Smith, Hazel,
2001. Extract from ÒPoet Without LanguageÓ
included in Homo Sonorus
Dmitry Bulatov (ed.), National Centre for Contemporary Art, Kalingrad, Russian
Federation. This is an extensive anthology, in print and CD form, of
international sound poetry.
Smith, Hazel and
Dean, Roger. 2001.ÒThe Musecal DetectiveÓ, AltX, http://www.altx.com/audio/networkvoices.
Multimedia work on
the internet or on CD Rom
Smith, Hazel, Roger Dean and Greg White.
1998.Wordstuffs: the city and the body, Hypermedia installation for the Australian Film
Commission's Stuff-art website. Can be accessed at http://www.abc.net.au/arts/stuff-art/stuff-art99/stuff98/10.htm.
Smith, Hazel and
Roger Dean. 1998. Walking The Faultlines, on Cyberquilt: an ICMA CDÑRom Anthology, San Francisco, International Computer
Association.
Smith, Hazel and
Roger Dean. 1999. Intertwingling, published on the Overland Express site. In 2001 republished in HOW2 Vol.1, No.5,
http://www.departments.bucknell.edu/stadler_center/how2/current/index.html
Smith, Hazel and
Roger Dean, 2001. Returning the Angles, Soma CD 787, Soma Publishing, Sydney.
Smith, Hazel and
Roger Dean, 2003. The Egg The Cart The Horse The Chicken, in InfLect, http://www.ce.canberra.edu.au/inflect/01/eggsite.3/eggindex.html.
Dean,
Roger, Brewster, Anne and Smith Hazel, 2004. soundAFFECTs, TEXT, Vol. 8, No. 2. http://www.gu.edu.au/school/art/text/oct04/smith2.mov
Smith, Hazel and Roger Dean, 2006, Time the Magician, performance video in M/C journal, in press.
Creative
Writing: selected performances, broadcasts, and commissions.
October
1989: performance at the Tasmanian Poetry Festival. The performance was
recorded by the ABC.
June
1990: performance of text-sound pieces, which included pieces of my own, in the
Verbrugghen Hall, Sydney Conservatorium of Music. This performance was recorded
by the ABC and was described in both The Sydney Morning Herald and on Radio
National, as Òa virtuoso performanceÓ.
October 1990: performance
of my own work in the series ÒWriters in RecitalÓ at the Art Gallery of NSW.
1991: creation and
performance of a collaboration ÒTranceFIGUREd SpiritÓ with artist Sieglinde Karl
and dancer/performer Graham Jones. This project received a grant from the
Australia Council for 1989-1990. A performance of part of the project was given
by the Tasmanian Dance Company at TasDance studios in Launceston on December
10th 1989. The project appeared in its entirety, in the form of an exhibition,
several performances and an accompanying book, at ArtHouse, Ritchies Mill Arts
Centre, Launceston, Tasmania, from October 7th to 28th 1990.
March 1991: performance
of own work in a new series called ÒIrrationalesÓ at the Harbourside Brasserie,
Sydney.
July 1991: performance in
the Subvoicive poetry reading series at the Institute for United States Studies
in London.
September 1991: a
reading/performance at the University of New South Wales as part of Feminist
Book Fortnight.
October 1991: Poet
Without Language, using voice and pre-recorded tape was performed by me in
the austraLYSIS concert at the
Conservatorium of Music, Sydney.
1991: Recording of ÒSimultaneityÓ, a
text-sound composition for voice and keyboard improvisor, for the ABC.
1992: performance
at the Evil Star, Sydney.
1992: performance at Long Bay Detention
Centre, Sydney.
1992: performance at the Metro Arts Centre
in Queensland.
1992: poetry reading and talk about my work
at Sydney University.
1992: Poet Without Language, text-sound collaboration with Roger Dean:
broadcast on The Listening Room, ABC Radio. Commissioned by the ABC.
September 1992: poetry and sound-text
performance at The Edge Theatre, Newtown, Sydney.
September 1992: poetry reading Open Day,
University of NSW.
December 1992: Caged
John Uncaged, text-sound
collaboration with Roger Dean on Returning the Compliment: A Tribute to John
Cage, ABC radio. Commissioned by the ABC.
January 1993: Silent Waves,</