HAZEL SMITH: PUBLICATIONS 

 

Research: Books 

 

Smith, Hazel and Dean, Roger T. 1997. Improvisation, Hypermedia and the Arts Since 1945, London and New York, Harwood Academic. (334 pages).

 

Smith, Hazel. 2000. Hyperscapes in the Poetry of Frank O'Hara: difference, homosexuality, topography, Liverpool, Liverpool University Press. (230 pages).

 

Smith, Hazel. 2005. The Writing Experiment: strategies for innovative creative writing, Allen and Unwin, Sydney (288 pages).

 

The Writing Experiment was shortlisted for the peer-reviewed Australian Publishing Association (APA) Awards for Excellence in Educational Publishing in the tertiary single-title category. It was also voted one of the books of the year by the editor of Stride magazine UK.

 

Smith, Hazel and Dean, Roger T.  Practice-led research, research-led practice in the Creative Art, Edinburgh University Press, forthcoming.

 

 

Research: Articles,  fictocriticism, reviews

 

Smith, Hazel.1989. ÒOutstanding Poetry: Writers in Recital. Sydney Art Perspecta 89Ó, The Age Monthly Review, Vol. 9, no. 6, pp. 6-8.

 

Dean, Roger T. and Hazel Smith. 1991. ÒDigesting the Message: A View of Texts for Interpretation, Reconstruction and ImprovisationÓ, Sounds Australian, No. 29, pp. 38-46.

 

Smith, Hazel. 1992. ÒThe Verbal ImprovisorÓ, Sounds Australian: Journal of Australian Music, No. 32, pp. 36-38 and 44.

 

Smith, Hazel. 1992. ÒA Context for ExperimentationÓ, Over Here, Spring, pp. 139-141.

 

Smith, Hazel and Roger T. Dean. 1993. ÒTalking and Thinking: Hazel Smith and Roger Dean in Conversation with David AntinÓ, Postmodern Culture, an electronic journal of interdisciplinary criticism, vol. 3, No. 3. (This can be accessed as ANTIN.593).

 

Smith, Hazel. 1993. ÒPerformance, Improvisation and Technology: American Contemporary Avant-Garde PoetryÓ, Australasian Journal of American Studies, vol. 12, No. 2, pp.15-31.

 

Smith, Hazel. 1994. ÒFormal Experimentation in Twentieth Century Poetry: Theory, Context and ProcessÓ, Australasian Journal of American Studies, Vol. 13, No. 2, pp. 71-83.

 

Smith, Hazel. 1995. ÒFeminist Performance Linguistics: Language, Sound, Performance and Technology at WorkÓ, Sounds Australian: Journal of Australian Music, No. 45, pp. 28-31.

 

Smith, Hazel. 1995. ÒIn Memory of Metaphor: Deconstructive Modes in the Poetry of Frank O'Hara", Journal of the Australasian Universities Language and Literature Association, No. 84, pp. 65-83.

 

Smith, Hazel. 1995. ÒStatementÓ, Sounds Australian: Journal of Australian Music, No. 46, p. 26.

 

Smith, Hazel. 1996. ÒA Convention of New PoetriesÓ, Real Time, No. 15, p. 9. 

 

Smith, Hazel. 1996. ÒBeyond Poetry: The Sonic Investigation of the WordÓ, Island, no. 67, pp. 131-139. 

 

Smith, Hazel. 1999. "The Site which is No-Place: Hypermedia, Travel, MigrationÓ Heat 13,  pp. 189-211.   

 

Smith, Hazel.  2001. ÒPoetry off the Page in Performance and New MediaÓ Meanjin, Poetics, Vol.60, No.2, pp.169-171.

 

Smith, Hazel. 2001. ÒWomenÕs Experimental Writing and GlobalisationÓ HOW2 Forum http://www.departments.bucknell.edu/stadler_center/how2/current/forum/more-forum.html#smith. 

 

Smith, Hazel and Roger T. Dean. 2002. ÒThe Egg The Cart The Horse The Chicken: cyberwriting, sound, intermediaÓ Interactive Multimedia Electronic Journal of Computer-Enhanced Learning. Vol. 4. No. 1, http://imej.wfu.edu.

 

Smith, Hazel. 2002. ÒA Labyrinth of Endless Steps: Fiction making, Interactive Narrativity and the Poetics of Space in Paul AusterÕs City of GlassÓ, Australian Journal of American Studies, Vol. 21, No. 1, pp.33-51. Now also on the web at http://www.anzasa.arts.usyd.edu.au/a.j.a.s/docs/contents_2002.htm.

 

Brewster, Anne and Hazel Smith. 2002. ÒProseThetic MemoriesÓ, Salt: An International Journal of Poetry and Poetics: Memory Writing, Vol. 16, pp. 100-111.  

 

Smith, Hazel and Roger T. Dean. 2003. ÒVoicescapes and Sonic Structures in the Creation of Sound TechnodramaÓ, Performance Research, 8 (1) pp. 112-123.

 

Brewster, Anne and Hazel Smith. 2003. ÒAFFECTions: friendship, community, bodiesÓ, Text Vol. 7, no. 2. http://www.gu.edu.au/school/art/text/oct03/brewstersmith.htm. 

 

Smith, Hazel.  2004. ÒCursors and Crystal Balls: digital technologies and the futures of writingÓ Text, Vol. 8, No. 2. http://www.gu.edu.au/school/art/text/oct04/smith.htm.

 

Roger T. Dean and Hazel Smith. 2004. "Sonic Narratives: intermedia transformations in the work of austraLYSIS", Australasian Music Research, vol. 8, 2004, pp. 91-106.

 .

Dean, Roger and Hazel Smith. 2005. ÒThe evolving technology of performance in the work of austraLYSIS, and the politics of co-operativityÓ, Sounds Australian. no. 66. http://www.amcoz.com.au/res-arts.htm.

 

Smith, Hazel. 2005. ÒThe Erotics of Gossip: Fictocriticism, Performativity, TechnologyÓ, Continuum: Journal of Media and Cultural Studies, vol. 19, no.3, pp. 403-412.

 

Smith, Hazel and Dean Roger. 2006. ÒPosthuman collaboration: multimedia, improvisation and computer mediationÓ, M/C Journal, vol. 9, no. 2: http://journal.media-culture.org.au/0605/14-smithdean.phpMay 2006.

 

Dean, Roger, Mitchell Whitelaw, Hazel Smith and David Worrall.  2006. ÒThe Mirage of Real-Time Algorithmic Synaesthesia: Some Compositional Mechanisms and Research Agendas in Computer Music and SonificationÓ, Contemporary Music Review, vol. 25, no. 4, pp. 311-326.

 

Smith, Hazel.  2006. ÒEmerging from the Experiment: a systematic methodology for creative writing teachingÓ,  New Writing: the international journal for the practice and theory of creative writing, vol. 3, no. 1, pp.17-34. 

 

Hazel Smith. 2007. ÒSoundAFFECTs: transcoding, writing, new media, affectÓ, Scan: Journal of Media Arts Culture, vol 4. no. 1 

http://scan.net.au/scan/journal/display.php?journal_id=89

 

Hazel Smith. 2007. Review of Daisy Fried, My brother is getting arrested again and Malena Morling, Astoria. Australian Journal of American Studies, vol. 26. no. 2, pp. 115-119.

 

Hazel Smith, 2008. ÒFeminist experimentalism and morphing writing practicesÓ, Southerly 2 The Sister Arts, vol. 68, no. 1, pp. 34-58. 

 

ÒMusical Imaginaries in Vikram SethÕs An Equal MusicÓ, Mosaic: a journal for the interdisciplinary study of literature, forthcoming.

 

 

Research: Chapters in books

 

Smith, Hazel. 1989.  ÒImage, Text and Performance; inter-artistic relationships in contemporary poetryÓ in D. Murray (ed.), Literary Theory and Poetry: Extending the Canon, London, Batsford, pp. 149-166.

 

Dean, Roger and Smith, Hazel. 1992. ÒMusic-Sound-Text-Image and the Futures of ImprovisationÓ in New Structures in Jazz and Improvised Music from 1960,  London and Philadelphia, Open University Press, pp. 177-190.

 

Smith, Hazel.1994. ÒThe Transformation of the Word: Text and Performance in the Work of Ania Walwicz and Amanda StewartÓ, in  P. Fuery (ed.), Discourse, Representation and Desire:  Contemporary Australian Culture and Critical Theory, Melbourne, Longman Cheshire, pp. 221-238.

 

Smith, Hazel. 1999. ÒSonic Writing and Sonic Cross Dressing: Gender, Language, Voice, Technology", Musics and Feminisms, Sally Macarthur and Cate Poynton, (eds.), University of Western Sydney, pp.  129-134.

 

Smith, Hazel. 2003. ÒFrank OÕHaraÓ in The Encyclopedia of Lesbian, Gay, Bisexual and Transgender History in America, Mark Stein ed., New York, Charles Scribners Sons, pp.352-354.

 

Hazel Smith. 2007. Freya Bailes, Hazel Smith and Roger Dean. ÒHearing and Imaging Place in Sound: A Program to interrelate the Cognitive, Cultural and CreativeÓ in Hearing Places: Sound, Place, Time and Culture   eds.  Ros Bandt, Michelle Duffy, Dolly MacKinnon) , Cambridge Scholars Publishing, pp. 126-142. 

 

Smith, Hazel. 2006. ÒThe Posthuman and the Writing Process: emergence, algorithm, affect and multimodality. Ò Creative Writing: Theory beyond Practice eds. Nigel Krauth and Tess Brady Post Pressed, Teneriffe, pp. 169-187. 

 

Hazel Smith,  2008. ÒNew Media WritingÓ The Creative Writing Workshop, Graeme Harper (ed), Continuum, UK, pp. 76-86. 

 

Hazel Smith, 2009. ÒTextual variability in new media poetryÓ  Multiformalisms  ( Susan Schultz and Annie Finch eds.), World Tech Communications LLC. 

 

ÒAffect, emotion and sensation in new media writing: the work of John Cayley, MD Coverley, Jason Nelson and Simon BiggsÓ, Literature and Sensation, Anthony Ulhman and Paul Sheehan (eds) forthcoming.  

 

In  2004 I wrote a back blurb for a book of poems by American poet Susan Schultz published by Salt, and also a back blurb for Australian poet Margaret Metz.  In 2008 I wrote a back blurb for Louise WakelingÕs book of poetry, Paragliding in a War Zone

 

 

Research: Published conference or symposium papers

 

Smith, Hazel. 1996.ÒCreativity As Method: A New Approach To The Teaching Of Creative WritingÓ UNSW Education Ô95, conference proceedings.

 

Smith, Hazel 2000. ÒFrom Cityscape to Cyberspace: Writing The City in HypermediaÓ in Australian Writing and the City, Fran de Groen and Ken Stewart (eds.) Association for the Study of Australian Literature, Refereed Proceedings of the 1999 Conference, 2000.

 

Research: Selected conference presentations, workshops or seminars.

 

1986: ÒNew York Poetry and PaintingÓ, New Castlefield Gallery, Manchester.

 

1987: ÒWhy I Am Not A Painter: The Poetry of Frank O'Hara  and New York PaintingÓ,  Tate Gallery as part of the Mark Rothko retrospective.

 

1986: ÒPainting and Poetry in the Work of Frank O'HaraÓ, Department of American Studies, Nottingham University.

1988: ÒSelf, Text and Difference: The Collaborations of Frank O'HaraÓ, Kings  College, University of London.

1988:  ÒText-Sound and Texts for MusicÓ, paper at the Annual Conference of the British Association for American Studies. Reviewed in  Newsletter No. 58 July, 1988.

1991:  ÒText and Performance in the Work of Amanda Stewart and Ania WalwiczÓ, paper at the Association for the Study of Australian Literature Conference, Charles Sturt University 1991.

1992:  ÒPerformance, Improvisation and Technology: American Avant-Garde PoetryÓ, paper at the Conference of the Australian and New Zealand Association for American Studies, Flinders University 1992.

1992: ÒPerformance, Improvisation and Technology:American Avant-Garde PoetryÓ University of NSW Staff Seminar.

1992: Day workshop for the Queensland WritersÕ Centre.

1993: Sound Poetry Workshop, The Third Regional Poetry Festival, Wollongong.

January 1996: ÒThe Interchange Between Musical and Literary Ideas in Poetry and Performance Texts. Paper  for the Words and Music Conference held by the Association for the Study of Australian Literature and the Library Society, State Library, Sydney.

March 1996: ÒBeyond Poetry: The Sonic Investigation of the WordÓ. Paper for ÒRadical ArtificersÓ, a panel on experimental poetry chaired by Philip Mead at the Salamanca WritersÕ Festival.

September 1996:  ÒNew Sonic Poetries: the linguistic appropriation of musical techniques and technologiesÓ Assembling Alternatives: International Poetry Conference 1996,  New Hampshire University, USA.

October 17th 1996: Seminar on New Sonic Poetries in the Department of English at Brunel University, UK.

February 1997: ÒThe City and Beyond: Space, Place and ÔHypergraceÕ in the Poetry of Frank O'HaraÓ. Aulla XXIX Conference, Remaking the Tradition: Language and Literature in the Age of Multimedia. University of Sydney.

April 1997: "The City and Beyond: Space, Place and ÔHypergraceÕ in the Poetry of Frank O'Hara". Staff seminar, School of English, University of New South Wales.

 

May 1997:  ÒSecret PlacesÓ. Address given at the Waverley Art Gallery, Melbourne. 

September 1998: ÒNew Spaces in Hypertext WritingÓ. National Poetry Festival, Sydney.

September 1998: ÒAll You Need is a Word: Creativity as MethodÓ. The Writes of Spring, Writers' Spring Festival, Sydney. 

December 1998: ÒThe Medium Moves the Message: intermedia, travel and Ôthe unspeakableÕ in the recent work of austraLYSISÓ, SoundVision Symposium, The Performance Space, Sydney.

July 1999:  ÒFrom Cityscape to Cyberspace: Writing the City in MultimediaÓ paper for the Australian Society for the Study of Australian Literature conference, Writing the City, WritersÕ Centre, Sydney.

 

July 2000: ÒHypermedia as ÔIntertwinglingÕ: Generic Cross-Dressing, Intermedia, Maps and MirrorsÓ, Writing and the Internet, Trace International Conference,  Nottingham Trent University, Nottingham, UK.

July 2002: ÒA Labyrinth of Endless Steps:  Interactive Narrativity and the Poetics of Space in Paul AusterÕs ÔCity of GlassÕÓ. American Studies (ANZASA) Conference, Deakin Waterfront Campus, Geelong.

July  2002: ÒThe Egg, The Cart, The Horse, The Chicken: Cyberwriting, Kineticism, IntermediaÓ,  Incubation 2.  The 2nd trAce International Conference on Writing and the Internet, 15-17th July 2002. Nottingham Trent University. 

October 2002: ÒPoetry in CyberspaceÓ. Talk on writing and new technologies at the ACT Spring Poetry Festival in October.

November 2002:  ÒA Labyrinth of Endless Steps:  Interactive Narrativity and the Poetics of Space in Paul AusterÕs ÔCity of GlassÕÓ. Staff seminar, School of Creative Communication, University of Canberra.

November 2003: ÒCursors and Crystal Balls: digital technologies and the futures of writingÓ.  Plenary address at Negotiations: Writing, the Academy, Publishing. Conference of the Association of Australian Writing Programs, University of New South Wales.

December 2003: ÒThe Erotics of Gossip: fictocriticism, performativity, technologyÓ at Incorporated: Bodies, Technologies, Habitats: Conference for the Cultural Studies Association of Australasia, Christchurch Arts Centre, University of Canterbury, New Zealand. 

July 2004: ÒThe Erotics of Gossip: fictocriticism, voicescapes, technologyÓ. Contemporary Writing Environments Conference, Brunel University, London, UK. 

December 2004:  ÒThe Erotics of Gossip: fictocriticism, voicescapes, technologyÓ. Seminar University of Canberra.

June 2005: ÒSoundAFFECTs: writing, new media, politics, affectÓ. Seminar, School of Creative Communication,  for the Sonic Communications Research Group.

July 2005: ÒSoundAFFECTs: writing, new media, politics, affectÓ. CongressCath conference at National Museum of Photography, Film and Television, Bradford, UK.

July 2005: ÒSoundAFFECTs: writing, new media, politics, affectÓ. UK Network for Modern Fiction Scholars, University of Westminster, London, UK.

September 2005: ÒSoundAFFECTs: translation, writing, new media, affectÓ, Sound in Translation, School of Music, ANU. 

October 2005: ÒThe Posthuman Writer: multimedia, affect, ethicsÓ, Australian National Museum in conjunction with ANU, New Media Public Lecture series.

October 2005: ArtistÕs talk, School of Creative Communication, University of Canberra. 

November 2005: ÒTheorising Creative Production: algorithms, emergence, multimodalityÓ, Culture Fix, Cultural Studies Association of Australasia, University of Technology, Sydney.

December 2005: ÒSoundAFFECTs: writing, new media, performance, affectÓ.  Eperformances and Plugins, Conference at UNSW.

November 2006:  ÒThe Posthuman and the Writing Process: emergence, algorithm, affect and multimodality. Perilous Adventures: Creative Writing Practice and Research in the Higher Degree and Beyond. Australian Association of Writing Programs. Queensland University of Technology, Brisbane.

December 2006: ÒMusical Imaginaries in Vikram SethÕs An Equal MusicÓ. UnAustralia Conference. Cultural Studies Association of Australasia. University of Canberra.

October 2007: ÒMusical Imaginaries in Vikram SethÕs An Equal MusicÓ.  Seminar paper. Writing and Society Research Group seminar. University of Western Sydney.

July 2007:  ÒsoundAFFECTs: transcoding, writing, new media, affectÓ. Literature and Sensation Conference, University of Western Sydney. 

August 2007:  (with Roger Dean): ÒThe Rhythm of Living: Kurt EllingÕs SongTalkÓ , International Conference on Interdisciplinary Musicology, University of Tallinn, Estonia. 

December 2007:  ÒThe will to change: feminist experimentalism and morphing writing practicesÓ, Manifesting Literary Feminisms conference, Monash University, Melbourne.

July 2008: Poetry and the Trace Conference. LaTrobe University, Afterimage: Loss Commemoration and Enquiry in the work of Mary Jo Bang, MD Coverley and Joan Retallack

September 2008 : Changing Australia, BASA, Royal Holloway College, UK.  The Afterlives of Betsy Scott: female murderers, representation, sound technodrama

September 2008: Writing Encounters, St Johns University, York, UK. Morphing Writing Practices, metaperformance, generic enquiry

November 2008: UTS, Sydney AAWP. Writing and Uncertainty. Practice-led research, research-led practice in the creative arts.  

 

Creative Writing: Books, scores, catalogues

 

Smith, Hazel. 1986. Threely, Peterborough, Spectacular Diseases Imprint.

Smith, Hazel, Karl, Sieglinde and Jones, Graham. 1990.

TranceFIGUREd Spirit, Sydney/London, Soma Publishing.

Smith, Hazel. 1991. Abstractly Represented: Poems and Performance Texts 1982-1990,  Sydney, Butterfly Books.

Smith, Hazel and Dean, Roger. 1992. Poet Without Language, Sydney, Australian Music Centre, 1992. (Score).

Hamilton, Kate, Karl, Sieglinde, Nagorcka, Ron, Smith, Hazel. 1996. Secret Places, Launceston, Queen Victoria Museum and Art Gallery.  (Publication accompanying installation/collaboration).

Smith, Hazel. 2000. Keys Round Her Tongue: short prose, poetry and performance texts, Soma Publications, Sydney, 2000.

Smith, Hazel. 2008. The Erotics of Geography, poetry, performance texts, new media works, Tinfish Press (with CD-Rom)

Creative Writing: Publication of poems and performance texts in journals and magazines (including on-line journals).

 

Smith, Hazel. 1982. ÒFishÓ, PTO, p.1.

Smith, Hazel. 1982. ÒCyclingÓ, Tops, p.14.

Smith, Hazel. 1983. ÒInside OutÓ, Stride, May, p.3.

Smith, Hazel. 1983. ÒThe Arranged MarriageÓ, Strange Mathematics, Issue Four,  p.19.

Smith, Hazel. 1983.  ÒTorchbearerÓ, Cyphers 19, Summer, p.31.

Smith, Hazel. 1983. ÒTantrumÓ, The Third Eye, August/September,  p.15.

Smith, Hazel. 1984. ÒMemoryÓ, The Third Eye, April, p.31.

Smith, Hazel. 1984. ÒPerson to PersonÓ, Graffiti,  p.8.

Smith, Hazel. 1984. ÒDeath by StoningÓ, Sepia, p.32.

Smith, Hazel. 1984. ÒMemoryÓ, Pennine Platform, April.

Smith, Hazel. 1985. ÒThe WaitÓ, Cyphers 24, Winter, p.41.

Smith, Hazel. 1986. ÒBillÕs PictureÓ, ÒMore Menstrual Than the MoonÓ and ÒThe SearchÓ Slow Dancer, Summer, pp.6-7.

Smith, Hazel. 1986. ÒThe LaunchingÓ, Sol, Winter, p.17.

Smith, Hazel. 1986. ÒPlus FiveÓ, Reality Studios, pp. 31-35.

Smith, Hazel. 1986. ÒOdd But EvenÓ, Figs, December, pp.17-22.

Smith, Hazel. 1986. ÒOne Three FiveÓ, in First Offense , pp.26-31.

Smith, Hazel. 1987. ÒMarks KarlÓ, Tasmanian Marks and Relics, Launceston, Tasmanian State Institute of Technology. No page numbers.

Smith, Hazel. 1988. ÒAbstractly RepresentedÓ, Pages, Summer, pp. 3-8.

Smith, Hazel. ÒTexts Weave World TombÓ, Tasmanian Poetry Festival Programme, 1989 pp.10-11.

Smith, Hazel. 1989. ÒOdd But EvenÓ, The Age Monthly Review, Vol. 9, no.9, p.6.

 Smith, Hazel. 1993. ÒPoet Without LanguageÓ: ABC submission for the Italia Prize.

Smith, Hazel. 1994. A special edition of Pages  (UK) was devoted to my work in 1994 including publication of ÒNuraghic EchoesÓ.

Smith, Hazel. 1995. ÒMirrorÓ, ÒThe Next RoomÓ, ÒThe WomanÓ and ÒVariationÓ in Southerly, Vol. 55, No. 4,  pp. 132-135.

Smith, Hazel. 1996. ÒThe Riting of the RundaÓ, W/Edge,  No. 2, pp. 28-32.

Smith, Hazel.  1996. ÒThe CriticÓ and ÒTexturesÓ, Southern Review, Vol. 22, No.3,  pp. 295-296.

Smith, Hazel. 1996. ÒMoving The LandscapesÓ and ÒWord Earth WorldÓ W/Edge, No.3, pp. 31 and 39.

Smith, Hazel. 1997. ÒWalking the Faultlines, Tinfish,  No.4, pp. 47-50.

Smith, Hazel.  April 1997. ÒThe Charge of PoetryÓ, Brisbane Review,  p. 13.

Smith Hazel. 1998. ÒAnxietyÓ, Heat 10, page 61.

 

Smith, Hazel. 1999. ÒStoryÓ from Nuraghic Echoes, Southerly, Vol.59, No.2, pp.121-124.

Smith, Hazel. 1999. ÒReturning the AnglesÓ, Jacket 7, http://www.jacket.zip.com.au. Text and audio recording.

       

Smith, Hazel. 1999. ÒImagining CitiesÓ, Tinfish, No 8. p. 39.

Smith, Hazel. 1999. ÒThe Musecal DetectiveÓ, Southern Review, Vol.32, No.3, pp. 302-304.

 

Smith Hazel and Sieglinde Karl. 1999. Secret Places  (web version) for web journal HOW2 at http://www.departments.bucknell.edu/stadler_center/how2.

Smith, Hazel. 2000. ÒFullers' Walnut CakeÓ, Cordite, No.6 and No, 7, page 11. 

Smith, Hazel. 2000. ÒPerguiltspekÓ and ÒPoeticsÓ, Vol.2, No.1, Southern Review, pp. 90-91. 

Smith, Hazel. 2000. ÒSpacismÓ Outlet 6: Stars, pp. 8-10.

Smith, Hazel. 2000. ÒAcouslyticÓ, in the sleeve notes for Roger Dean, Acouslytic: Acousmatic and electroacoustic works, CD, Tall Poppies, TP153, Sydney. 

Smith, Hazel. 2001. ÒThe PerformanceÓ, Tinfish, No.10, p.20.

Smith, Hazel 2001.  ÒThe City and The BodyÓ Meanjin, Vol. 60. No.1, pp. 170-175.

Smith, Hazel  2001. ÒThe Poet Who TravelsÓ Sugar Mule at www.sugarmule.com.

Smith, Hazel  2001. ÒThree WomenÓ and ÒThe MisunderstandingÓ, Slope 11 and 12 at www.slope.org.

Smith, Hazel.  2002. ÒMusical AgendersÓ, Southern Review, Net Work, The Politics of Work in an Information Age, vol 34, no.3, pp.117-118.

Smith, Hazel. 2002. ÒThe DecisionÓ in Shampoo http://www.shampoopoetry.com/ShampooTwelve/smith.html.

Smith, Hazel. 2002.  ÒTen Fridays AgoÓ, Sugar Mule, http://www.marclweber.com/sugarmule/frame14.htm.

Smith, Hazel. 2002. ÒActs of OmissionÓ, Sugar Mule, http://www.marclweber.com/sugarmule/frame14.htm.

Smith, Hazel.  2002. ÒPricelessÓ, PORES: An Avant-Gardist Journal of Poetic Research, issue 2, http://www.bbk.ac.uk/pores/2/index.htm.

Smith, Hazel. 2003.  ÒBurnt DawnÓ, ÒThe Poet Who TravelsÓ, ÒMusical AgendersÓ and  ÒHereditiesÓ in Thylazine http://www.thylazine.org/issue7/hs.html.

Smith, Hazel. 2003.ÒFemale GeographyÓ, Slope 18, http://www.slope.org/archive/issue18/index.php?file=oz_smith.htm&sec=oz.

Hazel Smith. 2004.Òthe writer, the performer, the program, the madwomanÓ How2, http://www.departments.bucknell.edu/stadler_center/how2/current/multimedia/smith.shtm.

Hazel Smith. 2005. ÒThe Poetics of UncertaintyÓ. Tin Fish Net, Tinfish Press, Susan Schultz (ed.) http://www.tinfishpress.com/tinfishnet2/smith.html.

Smith, Hazel, 2006. ÒFirstÓ Tinfish 16/Trout 13, http://www.trout.auckland.ac.nz/journal/13/13_43.html.

Smith, Hazel. 2006. ÒEmergencesÓ, Tinfish 16/Trout 13,

http://www.trout.auckland.ac.nz/journal/13/13_44.html.

 Hazel Smith. 2006.  ÒTranslationsÓ, How2, vol. 2, no. 4, http://www.asu.edu/pipercwcenter/how2journal/current/pacific/hazel_smith.html.

 Hazel Smith. 2006. ÒThe reader of my bookÓ, How2, vol. 2, no. 4, http://www.asu.edu/pipercwcenter/how2journal/current/pacific/hazel_smith.html.

 

 Hazel Smith. 2006. ÒThe idea of elegyÓ, How2, vol. 2, no. 4, http://www.asu.edu/pipercwcenter/how2journal/current/pacific/hazel_smith.html.

Smith, Hazel. 2006. ÒIn CameraÓ. Jacket, vol. 31, http://jacketmagazine.com/31/smith-hazel.html

Hazel Smith,  2007. She is not on the Internet, The Material Poem: An Anthology of Text-based Art and Intermedia Writing, non-generic publications p. 156. http://www.nongeneric.net/publications/materialpoem_ebook.pdf.

Hazel Smith, 2007, Mini-Histories, The Material Poem: An Anthology of Text-based Art and Intermedia Writing non-generic publications pp. 157-159. http://www.nongeneric.net/publications/materialpoem_ebook.pdf

Creative Writing: Recordings of poetry and performance work on CD and the Internet

 

Smith, Hazel. 1994. Poet Without Language, CD, Sydney, Rufus Records, RF005.

Smith, Hazel. 1994. ÒSimultaneityÓ, Windows in Time, Tall Poppies, TP039, Sydney.

Smith, Hazel and Dean, Roger. 1996. Nuraghic Echoes, CD, Rufus Records, RF 025.

Dean, Roger and Smith, Hazel. 1997. ÒLowering The SkyÓ, sound recording on CD, ed. Andrew Levy and Bob Harrison, Crayon: Festschrift for Jackson Mac Low, New York, Crayon. Also recorded on Acouslytic, Tall Poppies Records, TP153, Sydney.

Smith Hazel 1997. Secret Places, HOW2, Vol.1.No. 2 at http://www.departments.bucknell.edu/stadler_center/how2. Audio recording and text.

Smith, Hazel and Roger Dean. 1999. ÒReturning the AnglesÓ, Jacket 7, http://www.jacket.zip.com.au. Audio recording and text.

Smith, Hazel  and Roger Dean. 2004. Òthe writer, the performer, the program, the madwoman, How2, http://www.departments.bucknell.edu/stadler_center/how2/current/multimedia/smith.shtm. Audio recording.

Smith, Hazel, Roger Dean and Greg White. 2006. ÒThe Space of HistoryÓ, PennSound http://www.writing.upenn.edu/singles/index.php.

Smith, Hazel  and Roger Dean. 2007. ÒMid-Air Conversations,Ó performance work, Pennsound: http://writing.upenn.edu/pennsound/x/Smith-Dean.html

Smith, Hazel and Roger Dean, ÒUbasteyama, Music of the Spirits, Wirripang, CD,

Smith, Hazel and Roger Dean, 2008. ÒMinimalÓ, How2, http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html

 

 

Creative Writing: Inclusions in anthologies

 

Smith, Hazel. 1991. ÒThreelyÓ in Floating Capital: New Poets From London, Potes and Poets, Connecticut, pp. 111-119.

Smith, Hazel. 1994. ÒSimultaneityÓ, Australian Compositions for Improvisors (ed. J. Pressing), Melbourne, La Trobe University Press, pp. 100-101.

Smith, Hazel. 1995. ÒDemigodÓ in Sue Rowley (ed.), Crossing Borders: Contemporary Australian Textile Art, University of Wollongong, p. 26.

Smith, Hazel, 1997.  ÒThe Riting of the RundaÓ in Australian Mosaic: an anthology of multicultural writing, Sonia Mycak and Chris Baker (eds), Heinemann, Melbourne, pp.56-58.

Smith, Hazel, 1997.  ÒSlowing the MilesÓ in Andrew Levy and Bob Harrison (eds.) Crayon: Festschrift for Jackson Mac Low, New York, p. 73.

Smith, Hazel, 2001.  Extract from ÒPoet Without LanguageÓ included in Homo Sonorus Dmitry Bulatov (ed.), National Centre for Contemporary Art, Kalingrad, Russian Federation. This is an extensive anthology, in print and CD form, of international sound poetry. 

Smith, Hazel and Dean, Roger. 2001.ÒThe Musecal DetectiveÓ, AltX, http://www.altx.com/audio/networkvoices.

Roger Dean, Anne Brewster and Hazel Smith, 2007.  soundAFFECTs, multimedia work, The Material Poem:  An Anthology of Text-based Art and Intermedia Writing, non-generic publications embedded in p.160. http://www.nongeneric.net/publications/materialpoem_ebook.pdf.

Hazel Smith and Roger Dean, 2007. the space of history in The Material Poem:  An Anthology of Text-based Art and Intermedia Writin performance work, non-generic publications embedded in p. 161. http://www.nongeneric.net/publications/materialpoem_ebook.pdf

Ubasteyama.

 

Multimedia work on the internet or on CD Rom

 

Smith, Hazel, Roger Dean and Greg White. 1998.Wordstuffs: the city and the body, Hypermedia installation for the Australian Film Commission's Stuff-art website. Can be accessed at http://www.abc.net.au/arts/stuff-art/stuff-art99/stuff98/10.htm.

Smith, Hazel and Roger Dean. 1998. Walking The Faultlines, on Cyberquilt: an ICMA CD—Rom Anthology, San Francisco, International Computer Association.

Smith, Hazel and Roger Dean. 1999. Intertwingling, published on the Overland Express site.  In 2001 republished in HOW2 Vol.1, No.5,

http://www.departments.bucknell.edu/stadler_center/how2/current/index.html

Smith, Hazel and Roger Dean, 2001. Returning the Angles, Soma CD 787, Soma Publishing, Sydney.

Smith, Hazel and Roger Dean, 2003. The Egg The Cart The Horse The Chicken, in InfLect, http://www.ce.canberra.edu.au/inflect/01/eggsite.3/eggindex.html.

Dean, Roger, Brewster, Anne and Smith Hazel, 2004. soundAFFECTs, TEXT, Vol. 8, No. 2. http://www.gu.edu.au/school/art/text/oct04/smith2.mov

Smith, Hazel and Roger Dean, 2006.  Time the Magician, performance video in M/C journal, Ó, M/C Journal, vol. 9, no. 2: http://journal.media-culture.org.au/0605/14-smithdean.phpMay 2006.

Smith, Hazel, and Roger Dean, 2006. the space of history.  PennSound.  http://media.sas.upenn.edu/pennsound/authors/Smith-Hazel/Smith-Hazel_Dean-Roger_The-Space-of-History_2006.mp3.

Smith Hazel and Roger Dean, 2008. Time, the Magician, How2 http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html

Smith, Hazel and Roger Dean, 2008. Hanging Betsy, Meapsoft Music Showcase. http://www.meapsoft.org/showcase.php.

 

Creative Writing: selected performances, broadcasts, and commissions.

 

October 1989: performance at the Tasmanian Poetry Festival. The performance was recorded by the ABC.

June 1990: performance of text-sound pieces, which included pieces of my own, in the Verbrugghen Hall, Sydney Conservatorium of Music. This performance was recorded by the ABC and was described in both The Sydney Morning Herald and on Radio National, as Òa virtuoso performanceÓ.

October 1990: performance of my own work in the series ÒWriters in RecitalÓ at the Art Gallery of NSW.

1991: creation and performance of a collaboration ÒTranceFIGUREd SpiritÓ with artist Sieglinde Karl and dancer/performer Graham Jones. This project received a grant from the Australia Council for 1989-1990. A performance of part of the project was given by the Tasmanian Dance Company at TasDance studios in Launceston on December 10th 1989. The project appeared in its entirety, in the form of an exhibition, several performances and an accompanying book, at ArtHouse, Ritchies Mill Arts Centre, Launceston, Tasmania, from October 7th to 28th 1990.

March 1991: performance of own work in a new series called ÒIrrationalesÓ at the Harbourside Brasserie, Sydney.

July 1991: performance in the Subvoicive poetry reading series at the Institute for United States Studies in London.

September 1991: a reading/performance at the University of New South Wales as part of Feminist Book Fortnight.

October 1991: Poet Without Language, using voice and pre-recorded tape was performed by me in the austraLYSIS concert  at the Conservatorium of Music, Sydney.

1991: Recording of ÒSimultaneityÓ, a text-sound composition for voice and keyboard improvisor, for the ABC.

1992: performance at the Evil Star, Sydney.

1992: performance at Long Bay Detention Centre, Sydney.

1992: performance at the Metro Arts Centre in Queensland.

1992: poetry reading and talk about my work at Sydney University.

1992: Poet Without Language, text-sound collaboration with Roger Dean: broadcast on The Listening Room, ABC Radio. Commissioned by the ABC.

September 1992: poetry and sound-text performance at The Edge Theatre, Newtown, Sydney.

September 1992: poetry reading Open Day, University of NSW.

December 1992: Caged John Uncaged, text-sound collaboration with Roger Dean on Returning the Compliment: A Tribute to John Cage, ABC radio. Commissioned by the ABC.

January 1993:  Silent Waves, text-sound collaboration with Roger Dean on ABC, Jazztracks.

February 1993: Radio France discussion and broadcast of Poet Without Language.

March 1993: poetry reading with John Tranter and Robert Adamson, University of NSW.

April  1993:  performed Silent Waves and Caged John Uncaged at Auckland University and recorded Silent Waves for New Zealand Radio.

April 1993: poetry reading in the School of English, University of Auckland.

April 1993: performance of Black Desert, text-sound collaboration with Sandy Evans at the Sydney Conservatorium of Music.

  

May 1993: poetry reading and talk about my work at Sydney University.

May 1993: poetry reading at Perth WritersÕ Society. 

August 1993: studio recording for the ABC of Black Desert (text-sound collaboration with Sandy Evans).

August 1993: performance in Sydney at the Korean WritersÕ conference. 

September 1993: poetry reading at New College, University of New South Wales.

September 1993: Poet Without Language was nominated by the ABC for the Prix Italia in Rome. 

March 1994: Nuraghic Echoes (a text-sound collaboration with Roger Dean) broadcast by ABC on The Listening Room.

 

May 1994: poetry reading at the Johnny Otis Club, Sebastopol California.

May 1994: poetry reading and short talk at Stanford University, USA.

July 1994: poetry reading in the Subvoicive poetry reading series in London.

September 1994: performance of The Riting of the Runda, joint collaboration with Roger Dean, in the Eventspace series, the Performance Space, Redfern, Sydney.

December 1994: poetry reading at Ariel Books, Sydney.

March 1995: poetry reading arranged by the PoetÕs Union at Gleebooks, Sydney. 

May 1995: poetry reading at Charles Sturt University, Bathurst, New South Wales. 

August 1995: performance of The Riting of the Runda at the Conservatorium of Music, Sydney.

September 1995: performance with Roger Dean in the Spring Writing Festival at the Sydney Writers' Centre.

December 1995: performance with Roger Dean at the Cultural Studies Conference, Charles Sturt University, Bathurst, NSW.

January 1996: performance with Roger Dean for Words and Music, a conference held by The Association for the Study of Australian Literature and the Library Society, Sydney.

1996: I was involved in a collaborative installation project Secret Places, with artist Sieglinde Karl, musician Ron Nagorcka, and photographer Kate Hamilton. This project was funded by Arts Tasmania, Contemporary Arts Services Tasmania, the Queen and Victoria Museum and Art Gallery, and a Pat Corrigan ArtistÕs Grant, managed by NAVA with financial assistance from the Australia Council. There was also private sponsorship from Digital Colour, Melbourne, and the Tasmanian Parks and Wildlife Service.   It was exhibited, with accompanying publication, at the Queen Victoria Museum and Art Gallery in Launceston, at the Tasmanian Museum and Art Gallery in Hobart, and subsequently, in 1997, at the Waverley Art Gallery, Melbourne. 

     

March 1996: performance at the Salamanca Writers' Festival, Hobart, Tasmania.

May 20th 1996: performance in the ÒWhat is MusicÓ series at the Harbourside Brasserie, Sydney.

July 1996: interview and short performance on Art Today on the ABC.

July 1996: The Word in (Cyber) Space: whole evening of text-sound with Roger Dean at the Performance Space, Sydney. The interactive hypermedia installation Walking The Faultlines, developed collaboratively with Roger Dean and with technical assistance from Greg White, was made available to the public for the whole week.

September 1st 1996: performance at Assembling Alternatives: Poetry Conference /Festival, New Hampshire, USA.

October 1st 1996: whole evening performance at the Subvoicive poetry reading series, London.

October 1996: performance at Brunel University, London.

October 1996: Cambridge University poetry reading in the Ponana series.

 

November 1996: performance at Huddersfield Contemporary Music Festival.

 

May 1997: performance at the Strawberry Hills Hotel, Sydney, arranged by Sydney Improvised Music Association.

August 1997: performance of Secret Places at The Performance Space, Sydney. 

September 1997: performance with Greg White at the Women's Music Festival, Sydney.

 

November 1997: performance at the Soundings Poetry Festival. Also broadcast on the ABC program, Poetica.

December 1997: performances at the Performance Space, Sydney, as part of the austraLYSIS multi-media series.

September 1998: Returning the Angles, ABC commission and broadcast for The Listening Room.

December 1998: two performances with austraLYSIS of my own works at The Performance Space, Sydney.

2000: performance at the Subvoicive Poetry reading series in London

2000: performance at the Performance Space, Sydney of The Egg, The Cart, The Horse, The Chicken, a hypermedia work written by me in the program Flash with animated words and split screen.  Sound by austraLYSIS.

2001: ABC Listening Room broadcast of a 35 minute performance piece The Erotics of Gossip.

2001: Performance at the Performance Space Sydney of a multimedia version of Prosethetic Memories, a fictocritical collaboration by Anne Brewster and myself, programmed in VRML by Roger Dean.

2002: poetry reading at the Tasmanian Poetry Festival.

 

2002:  poetry reading at the NSW Autumn Writers Festival.

2002: poetry reading at the Brett Whitely Studio, Sydney.

2002: poetry reading at the Australian National Poetry Festival.

2002: guest artist on the radio program Fretless on Artsound Canberra.

2002. ÒDarkLightÓ: collaborative mixed-media installation with artist Sieglinde Karl at the Design Centre, Launceston, Tasmania. Accompanying leaflet.

2002: multimedia performance with Roger Dean at an Arts Wednesday at the University of Canberra.

2002: The Egg, The Cart, The Horse, The Chicken included in the Seattle Poetry Festival multimedia event in May 2002.

2002: two performances of own work as part of austraLYSIS performances at the Powerhouse Museum, Brisbane.

October 2003: poetry reading, with Jen Webb and Maria Glyn-Daniel, representing the UC Centre for Writing as part of Turn the Page, a one day literary festival at the National Library of Australia, organised by the ACT Writers Centre.

November 2003: poetry reading at The Loft poetry reading series at UTS, Sydney.

November 2003: performance of my own work as part of an austraLYSIS multimedia event  at the Sydney Conservatorium of Music.

2003: Hazel Smith and Roger Dean. The Egg, The Cart, The Horse, The Chicken included in  the multimedia showcase FutureWord, Bumbershoot Festival, US.

2004: presentation of performance and multimedia work at a Bimbimbie event, University of Canberra. 

April 2004: performances with austraLYSIS of my own work at The University of Queensland, The Queensland Conservatorium of Music, Griffith University, and the Judith Wright Centre, Brisbane.

July 2004: poetry reading at the Contemporary Writing Environments conference at Brunel University.

July 2004: performance and multimedia presentation as part of ÒSpelt#3Ó, one of a series of events featuring experimental writing (with a bias towards performance and multimedia) curated by Caroline Bergvall at The Horse Hospital, London.

October 2004: performance of The Space of History with austraLYSIS at the Conservatorium of Music, Sydney.

April 2005: performances of The Space of History and the writer the performer the program the madwoman in the program austraLYSIS: Jazz and Sound in Multiple Dimensions on ABC Classic FM.

September 2005: performance of Time, the Magician,  a new media collaboration with Roger Dean at the Sydney Conservatorium of Music.

October 2007:  (with Roger Dean). The Afterlives of Betsy Scott, (25 minute technodrama) Airplay, ABC Radio National.  

October 2007: Performance of Live Music, Dead Bodies performed by austraLYSIS at the Conservatorium of Music, Sydney

April 2008: Performance of Ubsateyama at the Aurora Festival

December 2008: Performance of Instabilities and Ubasteyama at the Conservatorium of Music, Sydney.